HouseBreaking

A last-minute publication has been added to The Black Bear Review!

“HouseBreaking” is the second poem of mine to be featured in the publications third issue. If you’ve ever wondered what my creative/poetic process feels like from the inside, this meta-poem is one of many possible answers.

To read this poem or any of the other work featured in the December issue click the link below to below:

The Black Bear Review: HouseBreaking

The Black Bear Review: Ascending Rearward

Ascending Rearward

The best holiday present I’ve received so far? It has to be having my poetry featured once again in The Black Bear Review.

The poem “Ascending Rearward” began its conception in the months after my nuclear family lost our matriarch, Helen. I wrote down an early draft of the final stanza last year around this time. I worked on several versions of the poem but was unable to manifest a workable piece. It took over a year of sitting in a cluttered file buried somewhere in the digital scrapheap of my hard drive for the shape of the finished poem to finally manifest.

I am very pleased that the editors of The Black Bear Review chose this piece to be featured. To read this poem or any of the other work featured in the December issue click the link below to below:

The Black Bear Review: Ascending Rearward

THE PRINTED WORD

Somewhere in the stacks
all answers surely lie.

Within these book-lined walls
the printed words appear infallible.

Bound in illustrated manuals
once stamped by printing blocks
— gold foiled.

Dust jacket PhD’s promise wholeness
for the price of $19.99
— softcover.

The storefront clerk offers insight,
assaying each by way of conversation.

For a lust for truth will go un-sated
on pyrite printed letters.


The second issue of The Black Bear review came out last month featuring an appropriately titled poem by yours truly. The magazine is quite literally a work of art with phenomenal displays of colour and artistry alongside the literary works of a great number of talented writers. Some of those writers shared a classroom with me this year, and call me biased, theirs are some of the wittiest and most moving pieces in the collection.

The cover art Guilt Trip by Jesse Stasiuk blew me away. The quality of this first print issue of the magazine itself is superb. I am very proud to have my work featured alongside so many brilliant pieces. Many thanks to everyone involved with the project and Selkirk’s creative writing faculty.

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